Located in the heart of the
historic town of Hoi An, the Museum of Folklore presents a unique opportunity
for the discerning explorer or experience seeker to delve a little deeper, beyond the city’s
beautiful rustic façades, into the rich history of cultural traditions that drove
Hoi An’s development and growth as trading port. Set within a restored
merchant’s house, the museum houses an impressive collection that includes
historic photographs, traditional tools, ceramics, furniture and textiles. The
unique traditional setting and detailed architecture of the building contextualizes
the collection and sets the tone of the experience; by entering the historic
building one feels almost as though they are stepping back in time. The
suburban setting of the museum combined with the domestic scale of the spaces
within creates an immersive experience and the natural light filtering in
from the windows adds to the authenticity of the atmosphere. At first glance,
what can seem like a dark and gloomy space soon becomes mysterious and intriguing
to the visitor – almost as if you’re exploring someone’s home and perusing
their personal possessions. This atmosphere works well for the museum’s main
visitor demographic of international tourists and school students.
The lack of directional maps and signs adds to the informal feel of the space and
creates a free-choice learning environment where visitors can meander
through the spaces and view the exhibits in any order (Kirshenblatt-Gimblett 1998).
The collection is grouped
thematically into sections across the two levels of the museum with each
exploring a traditional activity or occupation for example, fishing, silk
weaving and ceramic production. A combination of photographs, dioramas, traditional
equipment and artefacts are used to illustrate each activity and these work
together to enable the visitor to interpret and understand the information in
several different ways (e.g. visual and written formats). In addition, the
museum employs several women who are stationed throughout the building to perform
a range of traditional activities including silk production and cloth weaving;
the products they create are then sold in the museum’s gift shop. These
live-action elements effectively demonstrate the knowledge, traditional skills
and time it takes to create such products in an accessible and engaging format
that transcends the barrier of language (N .J. Fuller 1992). This performative element
communicates these values subliminally to the visitor increasing their appreciation
of the products on sale. The internal courtyard provides a peaceful area for
visitors to stop and rest, a place where they can sip tea (also available in
the gift shop) and recharge before continuing their visit.
However, the use of real
women within the museum demonstrating traditional handicrafts in much the same
way as the mannequins within the dioramas (see photographs below) can raise some challenging questions in terms
of the role and value of women within society today. There also exists an
opportunity for the museum to expand its visitor base by creating stronger
connections to the other museums within Hoi An perhaps by creating an outdoor
heritage trail linking the museums that visitors can follow. Overall, the Museum
of Folkore in Hoi An is well worth a visit and provides an insight into the unique
tangible and intangible cultural heritage of Hoi An.
wow this a really great blog, so informative. love your work.
ReplyDelete